This story is from November 19, 2006

Ghost Images

Many of Mumbai"s Grant Road theatres were built around dargahs. Even today, moviegoers can pop in for a quick prayer, before catching the latest C-grade movie or Mithun Chakravarty rerun.
Ghost Images
Shahid Datawala has spent a long time waiting for felicitous moments, and it shows.
'Dress Circle", his exhibition of black-and-white photographs taken in and around Delhi"s old-world cinema theatres (now showing at the NCPA, Mumbai, as part of photography initiative Tasveer), often catches an instant in which spontaneity provides the final touch for the story.

In one, a respectable-looking, suited businessman with a neat white beard walks oblivious past a hand-painted film poster depicting a busty woman. The cinema sign in neon, Regal, provides the picture"s title: 'Regal Man".
The exhibition comments on the near-forgotten glory of these old theatres, some of which, as with many of Mumbai"s cinemas in the Grant Road area, began life in the 19th century and early 20th century as playhouses where live theatre was staged.
(The Grant Road area in Mumbai consequently bears another name: Pilahaus, from 'playhouse".) Datawala, who has worked as a freelance photographer from 1995 onwards, has a strong sympathy for these theatres, in which the ghosts of former grandeur flit past.
Several of his photographs use the device of a slow exposure with the camera mounted on a tripod, so that ghostly, blurred figures are seen as though fading through elegant Art Deco corridors. One picture of a staircase towards the dress circle speaks eloquently of the crowds that used to rush up to their seats.

In Mumbai, many of the older cinemas were originally theatres that staged the once fabulously popular Parsi melodramas (one of the most popular, says film historian Feroze Rangoonwala, was called Baap Nu Shraap-the curtain fell on the shocking last scene in which a father cursed his son).
Parsi plays, in their turn, were Gujarati adaptations of Victorian melodramas originally staged with elaborate scenery and music in London. History repeats itself, for Hindi films also took their starting point from the Parsi theatre.
Another layer comes with the presence, in many of the Grant Road cinemas, of small dargahs or 'nazars" (saints" tombs) within the theatres.
These predated the theatres, which had to be built around them. Moviegoers today can still pop in for a quick prayer to the dargah, before catching a C-grade movie or a 1980s Mithun Chakravarty rerun.
The 32-year-old Datawala, who grew up in Kolkata and left home after leaving school to work in Delhi doing various jobs that led him to design and photography, says he has "two lives"". One is as a designer of thoroughly contemporary furniture.
That is his bread-and-butter occupation; the jam comes with the photography. He plans, in the next five years, to work on the old cinemas of Mumbai, Kolkata and Chennai and, with the Delhi photos, compile a book on the subject.
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